Showing posts with label IndiaUnTextbook. Show all posts
Showing posts with label IndiaUnTextbook. Show all posts

Part 2: Content Curation and Student Choice

In this new post for the Indian Epics UnTextbook Report, I will try to sum up what it means to organize course readings that are driven by student choice, a system I am using in both of the Gen. Ed. Humanities classes that I teach, Myth-Folklore and Indian Epics. The goal is for students to explore readings that are of real value to them based on their personal interests and preferences. My role is no longer to decide on the readings for the whole class (i.e., the textbook) but instead to be a curator, selecting and presenting the reading options in a way that will help the students make good choices about what to read. That set of reading options is what I call "the UnTextbook."

Myth-Folklore UnTextbook

During the summer of 2014, I created an UnTextbook for my Myth-Folklore class, building 100 reading units arranged in 9 different modules (Classical, Biblical, Middle Eastern, Indian, Asian, African, Native American, British, European), resulting in literally trillions of possible combinations as the students choose their reading week by week. You can read about that project here: The UnTextbook: An OER Interview.

I completed this project on my own time and, because of the abundance of public domain reading materials I could draw on, I was able to complete this project without any funding support from my school.

An UnTextbook for Indian Epics Too!

I really wanted to do an UnTextbook for Indian Epics also, but it presented a lot of challenges that I did not face with the Myth-Folklore class:
  • the Ramayana and Mahabharata are completely unfamiliar to most of the students at the beginning of the course
  • both epics are big narratives that cannot be presented as week-long mix-and-match units (the approach used in Myth-Folklore)
  • overall, the reading load in this class is greater than in the Myth-Folklore class (appx. 50-100 pages per week)
  • the public domain materials are exciting, but many students would probably balk at reading only 19th- and early 20th-century materials
Despite those challenges, the success of the UnTextbook in Myth-Folklore made me determined to find a way to make this work. I decided that I could do this by using a mix of public domain materials online and books available for purchase in the Bookstore (the same books I had previously used as the required reading material).

But things got even better: Stacy Zemke of the OER office in the OU Libraries urged me to apply for a $2500 grant to purchase additional materials that students could access in the Library. This was amazing: I was able to buy books, comic books, graphic novels, Kindle books and audiobooks, plus a film, all of which would be available to my students based on their reading choices. I got that grant just in time to dedicate the summer to this project.

Summer 2015: All-Indian-Epics All-The-Time

So, over the summer, I worked on Indian Epics ALL THE TIME (here's a timeline). Most importantly, I created my own "Public Domain Editions" of the Ramayana and of the Mahabharata (complete with audio), drawing on different public domain texts to create an anthology approach to each epic. That was a huge project for me, but really exciting, and I am looking forward to improving both epics based on feedback I am getting from the students this year.

Then, as time allowed I also wrote up reading guides for the comic books and other reading materials, including some very detailed commentaries with links and images for students who wanted some extra guidance while they were reading. And that is just the beginning of what I want to do over the next couple of years; I love writing the detailed commentaries, and the students really use them, so it's just a matter of finding the time to write.

Anyway, thanks to great help from Stacy and her assistant Cody Taylor managing the ordering and cataloging of the Library materials, I was able to create a first version of the UnTextbook for students to browse and choose from in time for Fall 2015. You can get an overview of the content by looking at the students' reading choices for the Ramayana part of the class in Weeks 2-3 and Week 4, the Mahabharata part of the class in Weeks 5-6 and Week 7, and then the free reading in Weeks 9-14.

The results have been great: this was a class where many students struggled with the readings, especially with the Mahabharata. This semester, though, there is so much more engagement with both epics, and students are also exploring related topics like the Krishna legends and Buddhist storytelling traditions. Although it is still a difficult class (the topic is new, and there is a lot of reading), the difficulty is the good kind of difficulty, the type of challenge that can lead to real learning.

Trillions and Trillions of Textbooks

Just as with the Myth-Folklore UnTextbook, there is some amazing math at work here: the number of combinations is astronomical. Based on their interests and preferences, students can choose from literally trillions of reading paths.

Weeks 2-3: 2 choices (Ramayana)
Week 4: 101 choices (lots of comic book combinations!)
Weeks 5-6: 2 choices (Mahabharata)
Week 7: 539 choices (even more comic book combinations!)
Weeks 9-14: four thousand trillion trillion (really a LOT of comic book combinations)

And even if we just count "comic book" as an option (and not all the specific comic book combinations), then the numbers are still impressive: over 900 trillion combinations. Perhaps most importantly, even if students just limited themselves to the free public domain materials available online (which is what about half of the students in class have done), things still look really good: there are over 2 trillion combinations of the free online reading options.

Why Numbers Matter

I'll confess to being completely uninterested in Big Data (unless you mean... Big Data), but I am very interested in giving students a big range of choices. The power of those choices becomes apparent from the combinations: week after week the combinatorial math results in trillions of paths, a big number that does justice to the unknown (and unknowable) range of interests that my students could bring to the class each semester. Let's call the students' range of interests potentially infinite; that means I really do need trillions of combinations to try to keep up with them.

The downside of choices is the process of choice itself. I need to present these options in ways so that students are aware of all the options without being overwhelmed. This is a worthwhile challenge because, if I do this right, they will be learning about the subject matter through the act of choosing. So, just to take one possible example, if a student reads through the Krishna comic books page, looking at the blurbs to find one or two comic books to read, they also get a sense of what the range of Krishna legends is like.

In the next post, I'll write up a more detailed inventory of the ways in which I am presenting materials to students. I'm passionate about all these reading options (and the same goes for Myth-Folklore), which gives me the motivation to keep on experimenting and exploring. Even better: the enthusiasm might be infectious, as enthusiasm often is!


Indian Epics UnTextbook Report: Timeline (Part 1)

Although it's not the end of the semester yet, I wanted to start documenting my Indian Epics "UnTextbook" course redesign so that I could share these materials as part of our #OpenTeachingOU chat about curation coming up on Friday, Oct. 30. For additional posts on this topic, including subsequent parts of this report, see the IndiaUnTextbook label.

At the outset, I want to give a big thank you to Stacy Zemke and to Cody Taylor of the OER project in the OU Libraries for making all of this possible! When I first started thinking about redesigning my course materials, I didn't even think of applying for an OER grant since I really didn't want a textbook (OER or otherwise). Stacy, however, urged me to apply for a grant to try an "UnTextbook" experiment, and with the funds from that grant, I was able to go in directions I never would have dreamed possible!

For this post, I'll provide a timeline of major events.


Summer 2014: I made an UnTextbook for my Myth-Folklore class (see the UnTextbook).

Fall 2014: I supplemented the books for Indian Epics with the India-related materials in the Myth-Folklore UnTextbook.

December 2014: The moment of "Eureka!" when I realized I could do an UnTextbook for Indian Epics too.

January 2015. I started cataloging public domain books to solicit student feedback in the Spring semester.

April 2015. I saw the ACK comic books on sale ($399, free shipping) and bought a set for myself, and the Library also bought a set. You can see the unboxing in the Library! I started writing up ACK comic book guides in a new blog dedicated to the comic books; this process is ongoing.
As of October 2015: There are 100 weeks of comic book reading available (13 weeks have detailed commentaries).

May 2015. I started the Public Domain Edition of Ramayana, and we began the process of purchasing additional Library materials (print books, including graphic novels, ebooks, audiobooks, and one film). I also began cataloging the online and Library books and writing up Reading Guides; this process is ongoing.
As of October 2015: There are 244 weeks of reading available (19 weeks have detailed commentaries).

June 2015. I started the Public Domain Edition of the Mahabharata (finished in September), and I reorganized my Indian Epics Images blog and began adding new items.
As of October 2015: There are 299 Ramayana images, 311 Mahabharata images, and 118 other images, for a total of 728 images.

July 2015. I finished the PDE Ramayana and began adding audio with Soundcloud. I created a Diigo Library to help students in exploring and choosing what to read. I continued to catalog and write reading guides for the comic books and other reading materials.

August 2015. I reorganized the course wiki to reflect the new content choices, and the Fall semester students successfully started the Ramayana portion of the class with no problems. Students chose between the Narayan book and the PDE Ramayana, and many students using the PDE Ramayana remarked on how much they liked having the audio!

September 2015. I finished the PDE Marabharata and started adding audio (finished audio in October). Students successfully completed the Ramayana portion of the class and started the Mahabharata portion (Weeks 5-7). This was great: the Mahabharata is a much harder epic to read, but this new approach with students choosing from different reading options worked much better!

October 2015. I continued to add new reading materials, while students completed the Mahabharata portion of the class and began the free reading (Weeks 9-14).

Verdict so far: the experiment has gone even better than I expected overall! I would like to get more students to come to the Library to use the amazing materials there (so far I would guess fewer than half of the students have come to the Library to read there), but the students who are choosing instead to read public domain materials and/or to buy their own Kindle ebooks seem very happy with their choices.

Here is a randomizing widget for the comic book collection:

~ ~ ~

RANDOM COMIC BOOK

Click refresh page for a random comic book, and click on the title to see the blog post for the comic book that grabs your attention.





Indian Epics UnTextbook: BIG Reorganization of the Class

I've been working hard on building the book list of possibilities for the Indian Epics UnTextbook, hoping for student feedback: Indian Epics UnTextbook Book List. I've also got a Pinterest Board going too, of course!


There are 50 books there now, although some books can be used for multiple units, so the number of possible units is quite large, and I already have 16 units available from the Indian section of the Myth-Folklore class. So, an abundance of material: no worries there!

And here is the big revelation that I had just today about how to REORGANIZE the weekly readings in a way that will help students better manage the "flow" of readings in the class so that the overall purpose and design of the reading will make more sense to them. I am really excited about that because, to be honest, I was kind of worried about how that was going to work. Unlike the Myth-Folklore class, this course does have an overarching structure, instead of completely free-standing weekly units. So that makes the flow from week to week really important.

In the current model, the first half of the semester is focused on the Ramayana (Weeks 2-7) and the second half is focused on the Mahabharata (Weeks 9-14). That made sense when I first designed this class ten years ago, relying on mass paperback translations of the epics. It worked okay, but it was not great. Pretty much all the students love the Ramayana, so starting out with the Ramayana first made sense, but some students did get tired of the Ramayana after that first half of the semester. Worse, many students just did not get into the Mahabharata at all, coming in the second half of the semester when burn-out and senioritis can be intense (most of the students I teach are graduating seniors).

So, here is the revelation: I will still divide the class into halves, but the first half of the semester will cover both epics, and then the second half of the semester will be all free choice, based on what the students decided was of interest to them as a result of the readings in the first half of the semester. This way the students will get a fair chance at both epics, and they will also have a much better basis on which to make their reading choices in the second half of the semester. Having total freedom in the second half of the semester should also be a big help in combating senioritis and burn-out!

This is how it will work:

Weeks 2-3-4. Ramayana. We will start off reading a two-week version of the Ramayana, either the prose version by Narayan (for students who prefer traditional paperback book) OR a two-week prose version by Sister Nivedita OR a two-week version in English verse by Romesh Dutt. Update: I'm writing the two-week version myself as an anthology! Then, for Week 4, students will choose a one-week version of the Ramayana to follow up and reinforce what they learned from the first version: there is the animated film by Nina Paley, along with versions of the Ramayana that can be read in one week by Gould, Oman, Wilson, Monro, Mackenzie, or Kincaid.

Weeks 5-6-7. Mahabharata. We will start off reading a two-week version of the Mahabharata: once again, that can be the prose version by Narayan (for students who prefer a printed book) OR the two-week anthology that I prepare. Then, for Week 7, students will choose a one-week version of the Mahabharata to follow up and reinforce what they learned from the first version: that would either be the Wilson version or the Monro version, or spending one week on the Bhagavad-Gita, or one week on Nala and Damayanti (Mackenzie version) or one week on the story of Savitri (I would probably pull the Savitri unit together from a couple of different sources).

Then, in the second half of the semester, it would be all free choice from a huge variety of sources.

EPICS. For students who really are enjoying the epics, there would be lots of Ramayana and Mahabharata reading that they can do (with reading units that are one, two, three or four weeks in length). They would at that point be able to CHOOSE which epic they want to focus on, based on what they learned in the first half of the semester. I have lots of good reading options online for both epics, along with the two paperback books by Buck which I have ordered in the past and will continue to order so that students who do prefer a printed book can have one.

HINDUISM. I have some great reading units lined up for students who are interested in the gods and goddesses along with the heroes and heroines of the Indian tradition, some of whom they will have encountered (if only briefly) in the epics. I am especially excited about the materials related to the life of Krishna!

BUDDHISM. I have some good reading units on the life of the Buddha, along with the amazing Jataka storytelling tradition.

FOLKTALES. Finally, I have an enormous collection of Indian folktales and fairy tales which are also available for students to read. My guess is that the students who just are not into the epics at all might spend the second half of the semester reading these types of stories, and that would be fine with me! Many students are in my class because they need a Gen. Ed. Non-Western credit, not because of any interest in the epics. So, if they decide they want to spend the semester reading Indian folklore, that would be great — plus, they will have a much better understanding of the cultural context of those stories after reading the epics, as the gods and goddesses often make appearances in the stories, along with allusions to the characters and events of the epics, etc.

So, overall, I am REALLY pleased with this reorganization: it's much more flexible, and it will also "show" students in the design itself just how the class is laid out, helping them to learn more and more about the Indian storytelling tradition each week. Best of all, as they learn more, they will be able to make better and better choices about just what they want to read as they continue broadening/deepening their knowledge all semester long.

Next Step: I need to go through this model and come up with a minimum set of materials that I need to have prepared in advance to launch this new model in the Fall. That will be fun: I am so excited about all of this!

Bring on the stories!!!!!!!

Indian Epics UnTextbook: Table of Contents Emerging

Because I want to ask my students for feedback to help me focus and set priorities for this coming summer's work on the Indian Epics UnTextbook, I am trying to get a tentative table of contents lined up. Then, I can ask students to identify which of the options they find most attractive within each content group, and I can let those be my top priority this summer. We just finished Week 2 of class, and I promised the students extra credit for helping me with the UnTextbook starting in Week 6, so I have some serious groundwork to do to get ready. I'm in the process of setting up resource pages for each of the target books, and that in turns allows me to start building a tentative table of contents, containing both the books I have always used for this class, plus the new online options.

Because my classes are built as week-by-week modules, it makes most sense to look at the reading by weeks. Students have reading assignments for 12 weeks of the semester. Here is what the range of options will now include:
  • Total reading weeks from books-for-sale: 12 weeks
  • Total reading weeks from free books online: 60 weeks
So, that means students can choose to do some or even all of their 12 weeks of reading from books for sale in the Bookstore, but they will also be able to select their 12 weeks of reading from a wide variety of online books!

WEEKS 2-3: RAMAYANA
During the first two weeks of class, everybody will be reading a two-week long version of the Ramayana. Previously, everybody read R. K. Narayan's prose retelling of Ramayana, which is available in paperback and Kindle. As online alternatives, I'll be offering a choice between two different prose retellings.

BOOK FOR PURCHASE: Ramayana by R. K. Narayan.
171 pages (appx. 85 pages each week): Reading Guides

Rama and the Monkeys by Geraldine Hodgson (1903).
104 pages (appx. 52 pages each week)

Myths of the Hindus and Buddhists by Sister Nivedita (1914).
120 pages (appx. 60 pages each week).
Sister Nivedita's retelling of the Ramayana is this book also features some lovely illustrations, like this one of the battle between the demon king Ravana and the valiant bird Jatayu:



WEEKS 4-5: MORE RAMAYANA

After reading the Ramayana in Weeks 2 and 3, I want students to spend at least two more weeks on the Ramayana in Weeks 4 and 5. They can also choose to spend Week 6 on the Ramayana, and also Week 7; for other options during Weeks 6 and 7, see below. During these weeks, students may choose to read any of the two-week versions now that they did not read last time (see above), along with any combination of options below.

One-Two-Three-Four-Week Option:
BOOK FOR PURCHASE: Ramayana by William Buck.
432 pages (appx. 108 pages each week): Reading Guides
This is a four-week option, but students can also choose to just read one, two, or three weeks of Buck, using the Reading Guides to figure out just which weekly portion would be of greatest interest to them. This is the same model I will use with Richardson's long version of the Ramayana below.

One-Two-Three-Four-Week Option:
The Iliad of the East: The Ramayana by Frederika Richardson (1886).
310 pages (appx. 77 pages each week)
Students may choose to do one, two, three, or four weeks of reading from this book which is a faithful rendering of Valmiki's Ramayana.


One-Two-Three-Week Option:
Ramayana by Romesh Dutt (1899).
POETRY. 180 pages (appx. 60 pages each week).
Students may choose to do one, two, or three weeks of reading from this book which renders the Ramayana in rhyming English couplets. Dutt also did a verse adaptation of the Mahabharata (see below).

One-Week Option:
The Divine Archer by F. J. Gould (1911).
74 pages.
This retelling of the Ramayana uses both Valmiki and Tulsi Das as the source.

One-Week Option:
The Great Indian Epics by John Campbell Oman (1894).
74 pages. 
Oman's book contains prose retellings of both the Ramayana and the Mahabharata; I've included his Mahabharata version below.

One-Week Option:
Stories of Indian Gods and Heroes by W.D. Monro (1911).
60 pages.
Monro's book contains prose retellings of both the Ramayana and the Mahabharata; I've included his Mahabharata version below.

One-Week Option:
Indian Myth and Legend by Donald A. Mackenzie (1913).
55 pages.
This is the short version of the Ramayana that I've included in the UnTextbook for my Myth-Folklore class, and it's gotten a positive response from the students in that class. Illustrations by Warwick Goble!


One-Week Option:
Valmiki's Ramayana by Ralph T.H. Griffith (1870-1874).
POETRY. This is an enormous book which provides a complete rendering of Valmiki's Ramayana in English verse; I need to go through and select some passages that would constitute one week's worth of reading (or more, if students end up liking this book).

One-Week Option:
Sita Sings the Blues by Nina Paley 
FILM. This is a full-length animated film (appx. 90 minutes), a brilliant and extremely creative retelling of the Ramayana story, and Nina has released the film into the public domain! Go, Nina!!!


(There are additional one-week Ramayana options I might look at the Ramayana retellings in Cradle Tales of Hinduism by Sister Nivedita (1907), The Indian Story Book by Richard Wilson (1914), and The Indian Heroes by C. A. Kincaid (1921); I have used those books for other purposes below. In addition, if the Griffith version of Valmiki proves a success, I could try later on to add other week-long selections that I make from English-language versions of Tulsi Das, Bhavabhuti's Vira Charita or Uttar Rama Charita, or Kalidasa's Raghuvanca.)

WEEKS 6-7: BUDDHA/KRISHNA or RAMAYANA
During Weeks 6 and 7, students can carry on reading more Ramayana materials OR they can switch to read some materials about Buddha (including jataka tales) and/or materials about Krishna.

One-Week Option:
Life of the Buddha by Andre Ferdinand Herold (1922).

One-Week Option:
Jataka Tales and More Jataka Tales by Ellen Babbitt

One-Week Option:
Eastern Stories and Legends by Marie Shedlock (1920).

These three books — Herold, Babbit, and Shedlock — form the Buddhist selections in the Myth-Folklore UnTextbook, and the students have enjoyed them, so I am confident about including them in the Indian Epics UnTextbook.

One-Week Option:
Twenty Jataka Tales by Noor Inayat (1939).
I am not entirely sure just how this book entered the public domain, but it is available at Hathi Trust and I would be so excited to offer students a book by Noor Inayat. This is one I would very much like to add to the Myth-Folklore UnTextbook also.


One-Week Option:
Myths of the Hindus and Buddhists by Sister Nivedita (1914).
68 pages: Krishna and Buddha.
This selection would combine two different chapters of Sister Nivedita's book: the chapter about Krishna and the chapter about Buddha.

One-Week Option:
Cradle Tales of Hinduism by Sister Nivedita (1907).
85 pages: Krishna. 
This is a different book by Sister Nivedita and contains a much more extensive chapter about the legends of Krishna.

One-Week Option:
73 pages: Krishna.
C. A. Kincaid was a prolific writer; altogether he wrote a half-dozen books that are potential candidates for the UnTextbook.

One-Week Option:
Tales of Ancient India by Edmund Charles Cox (1887).
88 pages: Krishna and the gods. 
This unit would focus on Krishna, but I would also include some of Cox's short chapters about the other gods.



Week 8 is a review week.

WEEKS 9-10: MAHABHARATA
During the first two weeks of the second half of the semester, everybody will be reading a two-week long version of the Mahabharata. Previously, everybody read R. K. Narayan's prose retelling of Mahabharata, available in paperback. As online alternatives, I'll be offering a choice between five different prose retellings.

BOOK FOR PURCHASE: Mahabharata by R. K. Narayan.
179 pages (appx. 90 pages each week): Reading Guides

Indian Myth and Legend by Donald A. Mackenzie (1913).
171 pages (appx. 86 pages each week)
See above for Mackenzie's retelling of the Ramayana.


The Pandav Princes by Wallace Gandy (1915).
136 pages (appx. 68 pages each week)

The Great Indian Epics by John Campbell Oman (1894).
128 pages (appx. 64 pages each week)

The Indian Heroes by C. A. Kincaid (1921).
102 pages (appx. 51 pages each week)

Myths of the Hindus and Buddhists by Sister Nivedita (1914).
128 pages (appx. 64 pages each week).
Includes wonderful illustrations by artists under direction of Abanindro Nath Tagore.



WEEKS 11-12: MORE MAHABHARATA

After reading the Mahabharata in Weeks 9 and 10, I want students to spend at least two more weeks on the Mahabharata in Weeks 11 and 12. They can also choose to spend Week 13 on the Mahabharata, and also Week 14; for other options during Weeks 13 and 14, see below. During these weeks, students may choose to read any of the two-week versions now that they did not read last time (see above), along with any combination of options below.

One-Two-Three-Four-Week Option:
BOOK FOR PURCHASE: Mahabharata by William Buck.
412 pages (appx. 104 pages each week): Reading Guides
This is a four-week option, but students can also choose to just read one, two, or three weeks of Buck, using the Reading Guides to figure out just which weekly portion would be of greatest interest to them. This is the same model I will use with Seeger's long version of the Mahabharata below.

One-Two-Three-Four-Week Option:
The Five Brothers: The Story of the Mahabharata by Elizabeth Seeger (1948).
300 pages (appx. 75 pages each week)
Students may choose to do one, two, three, or four weeks of reading from this adaptation of the Ganguli translation. There is a note at Internet Archive explaining that the book is indeed out of copyright.


One-Two-Three-Week Option:
Mahabharata by Romesh C. Dutt (1898).
POETRY. 173 pages (appx. 58 pages each week)
See note above for Dutt's retelling of the Ramayana in verse. Students may choose to do one, two, or three weeks of reading from this verse adaptation.

One-Two-Week Option:
Legends of India by Washburn Hopkins (1928).
POETRY. 120 pages (appx. 60 pages each week)
This is a long poem focusing on the adventures of Arjuna, "The Silver Prince."

One-Week Option:
Stories of Indian Gods and Heroes by W.D. Monro (1911).
61 pages
This is a highly condensed retelling of the Mahabharata; I am thinking it might be useful for students who want a chance to reread/refocus after their first encounter with the Mahabharata in Weeks 9-10.

One-Week Option:
The Indian Story Book by Richard Wilson (1914).
60 pages
This is also a highly condensed retelling of the Mahabharata, and it pulls out the story of Yudhishthira and the riddles at the lake as a separate story at the end.

One-Week Option:
Tales from the Indian Epics by C. A. Kincaid (1918).
87 pages
These are stories from the Mahabharata: The Churning of the Ocean, King Janamejaya's Snake Sacrifice, Nala and Damayanti, Satyavan and Savitri, and The Frog King's Daughter.

One-Week Option:
The Indian Story Book by Richard Wilson (1914).
60 pages
These are two stories from the Mahabharata: Gentle Conqueror (Savitri) and Nala the Gamester.

One-Week Option:
Indian Myth and Legend by Donald A. Mackenzie (1913).
POETRY and PROSE. 80 pages.
Mackenzie provides a prose a retelling of the Nala and Damayanti legend, and I'll supplement that with some poetry from Edwin Arnold's very long rendering in verse from Indian Idylls; I still need to select the portions from Arnold's poem to include; Mackenzie's prose version is appx. 50 pages.



WEEKS 13-14: LEGENDS or MORE MAHABHARATA
During Weeks 13 and 14, students can carry on reading more Mahabharata materials OR they can switch to read other legends, including some drama and poetry. There are also some folktale collections I would like to include here, especially Neogi's Sacred Tales but I need to do some more thinking about that, figuring out which materials lend themselves to going into the Myth-Folklore UnTextbook and which are better used here.

Two-Week Option
Kalidasa's Shakuntala by Arthur W. Ryder (1912).
108 pages
Ryder's book is simply wonderful, although I'm not sure I will be able to entice people to spend two weeks reading Shakuntala. It would be two weeks well spent though! He also includes different versions of the Shakuntala story for comparison.

One-Week Option:
Nine Ideal Indian Women by Sunity Devee (1919).
94 pages
Epic Women: Sita, Savitra, Damayanti, Uttara


One-Week Option:
Nine Ideal Indian Women by Sunity Devee (1919).
80 pages
More Legendary Women: Sati, Shakuntala, Shaibya, Promila

One-Week Option:
Cradle Tales of Hinduism by Sister Nivedita (1907).
76 pages
Tales of Shiva, His Wives, Savitri, and Damayanti


One-Week Option:
Cradle Tales of Hinduism by Sister Nivedita (1907).
87 pages
Devotees, Kings, and Snakes

One-Week Option:
Myths of the Hindus and Buddhists by Sister Nivedita (1914).
68 pages
Shiva and other legends

One-Week Option:
Stories of Indian Gods and Heroes by W.D. Monro (1911).
67 pages
Visvamitra, Prahlada, Kuvalayswa

One-Week Option:
The Indian Story Book by Richard Wilson (1914).
74 pages
Sabala, Shakuntala and Rishyasringa

One-Week Option:
Tales from the Hindu Dramatists by R. N. Dutta (1912).
76 pages
These are abbreviated prose summaries of the plays, not the plays themselves.

One-Week Option:
Plays by Rabindranath Tagore
I know I want to include Chitra and Karna & Kunti, but I need to read through the others and make a selection.


ALL BOOKS ABOVE LISTED HERE:




An UnTextbook for Indian Epics: January Update

This post will be something of a brain-dump: I need to get caught up IN WRITING to where I am with my Indian Epics UnTextbook project. I've been working on that over the break after having the amazing "eureka!" moment back in early December when I realized that it really would be possible to create like an UnTextbook for Indian Epics just as I have done for Myth-Folklore (Myth-Folklore UnTextbook here).

So, in no particular order, here are the things that are on my mind right now... and since my mind is about to get absorbed by the Spring semester starting officially on Monday, I better write these things down so I don't forget!

1. BASIC PLAN. Basic plan from earlier post still seems VERY good to me: find two-week long versions of the Ramayana (right now that is the Narayan book) and two-week long versions of the Mahabharata (right now that is also Narayan) to use as "anchors" for the two halves of the class. Spending two weeks on either epic is enough to get an overview (although, admittedly, it is harder with Mahabharata). Then, follow that with two weeks of reading related to the epics, a wide variety of stuff that people can choose to read focused on specific scenes/themes/sources that will build on what they learned about the epics in their overview weeks. Then, follow those two two-week sessions with the option of two more weeks of epic reading OR two weeks of reading in other Indian storytelling traditions (using materials from the Myth-Folklore UnTextbook + similar).

2. EVOLUTION. The current incarnation of the class with the three/four books can carry on as before; I don't have to get rid of it since it does work just fine. So, for students who want to keep on using books (they are not expensive) and/or students who want to read only epics and are not interested in the other storytelling traditions, no problem! That's something I really like, in fact, about this redesign of the class: it's kind of like building a big addition on to a house... an addition that is bigger than the house was to start with ... but with the old house still habitable.

3. STUDENT FEEDBACK. Starting in Week 6 of the semester, I've promised students that an extra credit option is coming up where I will ask them to help me evaluate the books that I am looking at as possible candidates, both for the epics and also for the collections of folktales, fairy tales, jatakas, etc. So, I don't really have to get that ready until Week 6 but some students are eagerly working ahead, so it would be good to get that ready by Week 4 or Week 5 at the latest. I'm thinking it needs to be something REALLY structured since obviously I cannot ask students for a lot of time here, so I need to start pondering this pretty soon, figuring out what good activities I can dream up over that ten-week period so that the students will be getting some real benefit while I will also be getting useful feedback!

4. FREE EBOOKS. Free public domain books. I've scoured Gutenberg, Internet Archive, and Hathi Trust looking for possible books to use. The results are here: Indian Online Books Library. In rough numbers, I started with 14 folklore books used in the UnTextbook already, plus 1 epic book used in the UnTextbook already. Here is what I have accomplished so far:
Folklore Books: 32 books indexed (over 2000 stories!), plus another 15 books to possibly include
Epic Books: 79 books for me to review and ponder... LOTS of works here, but exciting!

5. EBOOKS I BOUGHT. Yes, for Christmas I bought myself a lot (yes, A LOT) of ebooks, thinking that for the student who don't mind paying five or ten dollars for a book, I could offer them those options as well, writing up Reading Guides for those books just as I have written up Reading Guides for the paperback books that are the epic reading for the class right now. In particular, I really want students to be able to read Ashwin Singh if they wan: he is the Dan Brown of Indian literature, and I think it would be so much fun as a last thing to read for the class if students looked as his Rozabal Line for two weeks and saw how much of it they could connect to thanks to the readings in this class! That's obviously a long-term project, something I might not even really start in earnest until next winter break, but I love the idea that my own interest in reading these books could end up benefiting my students. And the combination of ebooks with Reading Guides written by me is very feasible. They could even read some Amar Chitra Katha comic books for one week's reading!

6. OCEAN OF STORIES. I started a blog where I am publishing a story from India every day, either one that is already digitized (so I mostly just copy-and-paste) or else one that I am transcribing from a page image. This is fun, and it's a good way to keep me busy doing something related to this project every day. Here's the blog: Ocean of Stories. I'm sharing those with my students via Twitter (#IndiaStory) and via a Pinterest Board (the Twitter stream and Pinterest also include stories I am re-posting from the MythFolklore UnTextbook).

7. FRAMETALES. The Ocean of Stories blog is one I can also use for figuring out how to make good use of the three important nested-story collections that I want to share with my classes: Panchatantra, Hitopadesha, and Kathasaritsagara. I think I finally found a really good way to use the blog format in order to let the stories stand on their own while also letting students explore the frame too. This is something I have always wanted to do, so I am really excited about it!

8. JATAKAS. The time has finally come for me to cross-reference all the editions of the jatakas in public domain editions, starting with the monumental Cowell edition but also grabbing the other editions too, including the ones for children like Babbitt and Rouse. A giant Google spreadsheet should do the trick!


9. EPICS V. STORIES. For the Myth-Folklore UnTextbook, the focus was (mostly) on individual stories, so it made sense for me to create an actual "book" of my own (blog) with each story on a page of its own. This will allow me to create mix-and-match anthologies of stories based on theme, etc. In the Indian Epics class, though, the reading does not lend itself to this kind of chunking. Instead, I need to focus on creating Reading Guides for online books, just as I have created Reading Guides for the paperback books that we use in class now.

10. EPIC PRIORITIES. There are so many possible epic books I have found that I could use, and some of them are huge, of course (like the Ganguli translation of the Mahabharata), so I'll need to prioritize as I make my way through those materials. I'll focus first on the Ramayana and Mahabharata retellings, and only afterwards branch out to see what I can find the puranas, in classical drama, etc. Realistically, this is going to be a two-summer project rather than just one... but luckily the way that this is evolving side by side with my current class means that letting it happen over time is actually just fine.

Retooling my Indian Epics Resources Blog

Now that I have begun collecting materials for the Indian Epics UnTextbook, I needed a place to do that, and the Indian Epics Resources blog is already up and running: perfect! I can use the power of the blog labels, blog comments, and RSS to use this as an interactive space where I can curate these public domain books together with the students!

Current contents of the blog. I had created that blog in summer 2014 in order to relocate the Reading Guides for the books to a space that was easier to maintain and update than my old website; the Storytelling Prompts for the books are also there at the blog. Mainly, though, I have been using this blog space to start building an image library, with each image having its own blog post; there are about 500 images there now.

Building a Library at the blog. What I will be doing at the blog now is building a library of online, full-text books that are relevant to the class; these books are also the candidates for inclusion in the UnTextbook. Eventually, I will also add reference books and other useful online references and resources, but for now the focus is on the full-text literature books that could go into the Untextbook: Indian Online Books Library. That index page will, in turn, link to individual posts for each book, as in this example: Indian Idylls of the Mahabharata by Edwin Arnold.

Students as curators. What I am really excited about is that this will allow the students to get involved in reviewing these materials; that would have been such a big plus for the Myth-Folklore UnTextbook, but I did not have as much lead time. The way that will work is that I will offer the students in both classes an extra credit option for reviewing the materials that look to me likely to be useful as new India units in the Myth-Folklore UnTextbook and/or as units specifically for the Indian Epics UnTextbook. I will flag the book pages with the appropriate label for likely candidates: Myth-Folklore and Indian Epics. Then, students who want to participate in the review process will be able to browse those the labeled posts, find something that grabs their interest, do some reading, and leave comments at the blog.

Power of RSS. Because this will be happening inside a blog, I will be able to use the power of RSS to re-use this content automatically in different ways through the Inoreader blog network for my classes. For example, by subscribing to the comments feed at this blog, I will be able to create an HTML Clippings page that will show students the comments made by other students; they might want to see what items are attracting the most positive feedback from other students as they choose what items to review. I can also create label-specific feeds, so that I can channel the new biblio items, for example, into the online books area I have in Inoreader; below is a screenshot of what that feed looks like in Inoreader:




Summer 2015: An UnTextbook for Indian Epics

Unlike other posts here at this blog which document my current courses, this is a forward-looking post: I have got a BIG NEW PLAN for Summer 2015. During Summer 2014 I created the UnTextbook for the Myth-Folklore class, and that was a big success I think (in addition to being the most fun summer project ever). Since there were 12 India-related units in that UnTextbook, I was able to use some of those materials in the Indian Epics course this semester, making one of the four paperbacks for the class optional and substituting UnTextbook units instead. The response from the students to that was super-positive, and when I asked at the end of the Fall semester if they would like more UnTextbook-type of readings, the response was a loud "yes!" Then, through a series of supernatural coincidences (life works that way sometimes!), I realized last night — December 2, 2014 — that I could actually ditch not just one of the books, but all four books I have traditionally used for that class. Yes, I can make an UnTextbook for Indian Epics, just like Myth-Folklore!

So, as I thought about this pretty much nonstop for the past 24 hours, I've become more and more confident that it will work, and I'm going to use this blog post to write down how things look as of right now, knowing of course that things will evolve, probably a lot, between now and August when I hope to have the UnTextbook ready for the Fall semester. SO EXCITING.

Books I Use Now. Right now in the class I use four books: three required and one optional; until this semester, they had all four been required. They are the prose versions of the Ramayana by Narayan and by Buck and the prose versions of the Mahabharata, again by Narayan and by Buck. I chose those books back in 2002 when I first designed this class, and I have not been unhappy with that choice. The books were very affordable (mass market paperbacks, available super-cheap from used booksellers online), and the readings gave the class a really nice structure: first half of the semester was Ramayana (2 weeks of Narayan, 4 weeks of Buck, whose books is much more elaborate and detailed), and second half of the semester was Mahabharata (once again 2 weeks of Narayan, 4 weeks of Buck). The students enjoyed the readings very much, and I have a good set of reading guides which have been a big help in making sure everybody was able to keep up with the readings even if there was a week or two when they were short on time.

Problems with the Books. So, overall I would rate the current reading for the class as effective, but finding a way to satisfy all the students all the time is not easy. Some students prefer Narayan and some students prefer Buck, and likewise some students prefer Ramayana and some students prefer Mahabharata, which is natural, but it was also true that sometimes students really did not like Buck very much (in which case, that was a serious chunk of the semester spent on two books they did not like), or they might really prefer the Ramayana to the Mahabharata (and that was especially difficult since the second half of the semester is when students have less time/energy to spend on the class anyway). The change I made in Fall 2014 was a very good one because it saved students from the double-whammy of not liking Buck and not liking the Mahabharata: instead of reading Buck's Mahabharata for the last four weeks of the class, they were able to choose readings from the Indian units in the UnTextbook instead, which was great. Other students also got the benefit of that because they were able to enjoy the stories from the units that those students included in their blogs.

Available Books Online. Meanwhile, the world of books online is completely different than it was back in 2002 when I first designed this class. At that time, there was nothing online I could use: Gutenberg and Sacred Texts Archive did not have the epic materials I needed, and I paid a student out of my own pocket to digitize Dowson's Hindu Mythology & Religion from my physical copy of the book so that I could provide my students with at least a basic reference work online to supplement the paperback books I asked them to buy. At the time even Wikipedia was very short on India articles (I remember starting the Nala and Damayanti article myself since there wasn't one!). Now, however, it is a new world of books online, and that is what allowed me to create the 100 units of the Myth-Folklore UnTextbook in Summer 2014. I could have easily created 100 more units if I had not run out of time.

Indian Epics Online. Admittedly, epics are more resistant to the "module" approach that I use in the UnTextbook, so at first I did not really even think it would be possible for me to replace all my Indian Epics books with these public domain materials online, but when I started exploring the possibilities last night by browsing through public domain book sources, I realized that I do have all the materials I need! Yes, it will take a huge amount of work on my part... work I am glad to do, though, because I absolutely love these materials — the Mahabharata especially, although I have really grown to love the Ramayana also as a result of teaching this class all these years. Basically what I will be doing is what Narayan and Buck themselves did, but instead of letting them do the selecting and paraphrasing, I will be doing that as I anthologize from the different sources for the epics that I find online. And, even better, I will be able to expand on the epics by looking at closely related materials in other genres: a play by Rabindranath Tagore inspired by the Mahabharata! Kalidasa's own version of the story of Nala and Damayanti! Plus, the most delightful treasure of all: Nina Paley's animated film, Sita Sings the Blues! In this way, not only can I share the epic stories with my students, I will also be able to show them how those epic tales inspired artists working on other genres both in ancient and modern times in order to create new versions of those old stories.

Books OR UnTextbook. Of course, as I mentioned above, the current books I use for the class are very satisfactory, so what I will be doing here is basically offering two different tracks in the class. People who want to do some/all of the reading with traditional paperback books can continue to do that, absolutely. There is no reason why that approach to the class reading needs to change. The reading schedule and reading guides are solid, with no reason at all to eliminate them. So, what I will be doing is offering a CHOICE, just as I did this semester where students could choose Buck's Mahabharata in the last four weeks of the class OR they could choose four week-long India units from the Myth-Folklore UnTextbook. The difference will just be that students will have these choices starting in the very beginning of the semester. It will be a little complicated to explain to the students just how that works, but I know I can do it; the UnTextbook seemed like it might be complicated to explain, but it worked out just great and the students were totally enthusiastic about the process of making their choices as well as being very curious about what the other students chose. I expect to see the same dynamic of excitement and curiosity in the new Indian Epics class too!

Rough Outline. So, just brainstorming in a very preliminary way, here is how things might work in this new scheme for DIY reading plans. The basic division of the class into two halves will still hold true: Ramayana for six weeks in Weeks 2-7 and Mahabharata for six weeks in Weeks 9-14. Then, I would break those six-week units up into three two-week units that would work like this:

Weeks 2-3. For the first two weeks of the Ramayana, I will make sure people choose from specifically Ramayana-related units to get an idea of how the epic works: that would mean EITHER Narayan's book (as now in the class) or some UnTextbook units that are Ramayana-related — I already have Nina Paley's film and Mackenzie's retelling of the Ramayana, which would actually work just fine like that since Nina's film and the Mackenzie reading would make a great two-week experience. But I can review that decision as I look through the available materials; it might be better to find a two-week online equivalent to Narayan's two-week book experience for example, just to make sure people do have a solid grounding in the overall flow of the epic plot (although the Ramayana really is not very complicated, very unlike the Mahabharata in that regard).

Weeks 4-5. Then, for the next two weeks I would ask people to do more Ramayana-related materials. For people who want a book, they could read Buck (and they could actually read Buck for four weeks, just as now), but I would arrange for more free-choice Ramayana-related materials. That could include units I prepare from Griffith's verse translation of Valmiki's Ramayana (with audio at LibriVox!!!), a retelling by John Campbell Oman, the retelling by F. J. Gould, the Romesh Dutt version, the version by Sister Nivedita, etc. Some of those would be multi-week versions; for Griffith, for example, I would prepare a whole bunch of units so people could choose their favorite episodes... and with audio, too!

Weeks 6-7. Then, in the final two weeks of the first half of the semester, people could keep on doing Ramayana-related units (since obviously there would be lots they did not read for Weeks 4-5 already) OR I could offer a selection of other India units about heroes and heroines: that would mean units about Krishna's adventures, the life of the Buddha, the legends of Raja Rasalu, etc., and also heroine stories like Shakuntala, Savitri, and Damayanti.

Weeks 9-10. Moving into the Mahabharata, students could choose to do Narayan's book OR a two-week long presentation of the Mahabharata from one of the public domain sources. I would need to find one that is just the right length for two weeks; it might be Mackenzie again, but I sure found a lot of other great alternatives that I need to read and ponder. For example, I am really intrigued by this book I found by Wallace Gandy, The Pandav Princes.

Weeks 11-12. Then, just like for the second two weeks of the Ramayana, I would offer here a whole range of readings that are Mahabharata-related. If they like Buck and/or want a book, they can read Buck's book, but I could offer plenty of options from the public domain for free online. For example, I could prepare a whole bunch of units excerpted from the Ganguli translation — oh my gosh, think how fun that will be, choosing my own favorite episodes from the epic to focus on, annotating Ganguli to make it more comprehensible... and there's even a digitized version of that at Sacred Texts now, so I am not wrestling with OCR. For audio, there is Dutt's version at LibriVox. For the Bhagavad-Gita, I could use Arnold's English version (the first version that Gandhi himself read!). And I could give people a second chance at Savitri and Damayanti this time around if they did not choose them before, of course!

Weeks 13-14. Then, just like with the Ramayana, people could choose to carry on with two more weeks of Mahabharata materials (finishing Buck's book if they prefer a book OR carrying on with the choices they had in Weeks 11-12) OR I could totally open up with wisdom and folktale literature here with all the Panchatantra-derived texts and the Buddhist jatakas.

Doesn't that sound AMAZING??? Seriously, I am so excited about this that I can barely slow my thoughts down enough to try to write them here. This is how I felt at the beginning of the Myth-Folklore UnTextbook, but even better really because this will allow me to revisit the stories of India and learn so much new, more even than I learned when preparing the UnTextbook last summer. I discovered Sanskrit far too late in my academic career to become the Sanskrit scholar I probably should have been (my Sanskrit classes with Sally Goldman at Berkeley were the single most satisfying experience of my language-learning life)... but this way I will get to share my total passion for the Indian epic tradition in a richer, more varied way with my students. Going all-public-domain here will not only save them money (which is good too course): it is going to give them a far better learning experience than I could offer with traditional books or textbooks.

(pause) I really did have to get up out of my chair and dance around the room for this one.

HAPPY.

I love you, Public Domain!!!!!!!

Below is a screenshot of Sister Nivedita's
Myths of the Hindus and Buddhists
at Internet Archive: